 |
| Joseph Southall self-portrait 1925 |
Joseph Southall was born in Nottingham on 23 August 1861, the only child of Joseph Sturge Southall and Eliza Maria Baker. His father was a chemist and grocer but he died when Joseph was just one year old and his mother brought Joseph back to her Birmingham family home. Joseph was educated in Quaker schools at Ackworth, Birmingham and Scarborough. He showed artistic talent from a young age and from the age of thirteen was taught watercolour painting by Edwin Moore who is said to have remarked, 'Ah, here is a boy with an eye.'
In 1878 Joseph left school and was articled to a firm of Birmingham architects, Martin and Chamberlain. He continued to take drawing and painting classes and when he came of age in 1882 he abandoned his formal training in order to practice carving and painting to fit himself to be what he regarded as a true architect. He kept himself through inheritances from his father and an uncle and went to live in a house in Edgbaston belonging to another uncle where he remained for the rest of his life.
 |
| The artist's mother 1902 |
In 1883 Joseph spent eight weeks in Italy with his mother and a cousin, a turning point in his artistic life. He became an ardent admirer of the Italian primitive style and resolved to study and practice the art of painting in tempera. In 1884 Joseph's architectural drawings were shown by his uncle, George Baker, to Ruskin, who admired them and commissioned Joseph to design a museum for his Guild of St George. However in 1886 this project fell through and Joseph felt that his chance to become the architect he wanted to be had vanished.
 |
| Anna Elizabeth Baker 1897 |
Joseph continued to draw, paint and struggle with the tempera technique. He studied at Birmingham School of Art and exhibited with the Royal Birmingham Society of Artists (RBSA). In 1893 he was greatly cheered when his work was praised by another artist from Birmingham, Edward Burne-Jones. Joseph's work became gradually better known and he was able to sell enough to support himself. With other like-minded artists he formed the Birmingham Group of Artist-Craftsmen and in 1901 was one of the founders, along with Holman Hunt and Walter Crane, of the national Society of Painters in Tempera.
 |
| The Blue Sea with frame by Anna |
In 1903 Joseph married Anna Elizabeth Baker who was two years older than he was. The couple had been attached since their youth but, as they were first cousins, had deliberately delayed their marriage, making a conscious decision not to have children. Anna shared Joseph's artisitic interests and made elaborate frames for his pictures. Each year the couple would go to Italy or France and also to Southwold in Suffolk or Fowey in Cornwall, where they visited galleries, sketched and painted. Joseph's reputation grew in Britain and in 1910 he also held a very successful one-man show in Paris.
 |
| From Fables and Illustrations 1918 |
|
| |
Joseph and Anna both remained Quakers and supported their local meeting in Edgbaston. Joseph was often critical and did not suffer fools gladly. His demeanour has been described as 'frosty but kindly'. During the First World War Joseph was active as a pacifist both in Quaker circles and with the Independent Labour Party. He painted much less and turned instead to illustration and political cartoons pointing out the evils of war. He accepted a commission from the Birmingham Corporation to paint a mural 'Corporation Street March 1914' but he gave it a subtly anti-war message, showing the prosperity which the city had enjoyed before the conflict.
 |
| Corporation Street March 1914, now in Birmingham Art Gallery |
 |
| Joseph and Anna in Southwold 1911 |
As he grew older Joseph received more public recognition and executed several more murals in buildings in Birmingham, but in 1937 he became very ill and underwent major surgery. He never fully recovered and although he continued to paint until his death he did not go abroad again. He died in November 1944 at the age of eighty-three.
 |
| The Botanists 1928 |
Joseph's work has been characterised as 'static' and his preoccupation
was with materials and technique. However he painted some fine portraits, many of Quakers, and Picasso was much taken by his painting of water. He was true to his vision and to his roots and his work can still be seen in the city he lived in all his life. The critic William Rothenstein wrote, 'I have a great respect for Southall, both as an artist and a sterling character, one of the few considerable artists who has remained in his native city.'
 |
| The Food Queue, now in Oldham Galllery |
