Quaker Alphabet Blog 2015 - N for Emilia Fogelklou Norlind

Emila aged 14

Emilia Fogelklou was born in 1878 in Skane, Sweden, into a large family. Her childhood was spent in the countryside which, together with the influence of her grandmother, had a great effect on Emilia's spiritual development. She would climb up on the garden gate to gaze at the sea or the sunset and lose herself  'in endless beholding.' However, when she was twelve the family moved to the town when her father got a better job, and although she found it difficult at first Emilia appreciated the intellectual stimulation of her new school.

In 1896, when she was eighteen, Emilia went to teacher training college for three years and then took up a succession of teaching posts. She enjoyed the work but felt under-qualified, especially in her chosen subject of religion. She was oppressed by the failure of her search for the reality of God and felt despairing and like an empty shell but then in 1902 she experienced something that was for her the central event of her life. While sitting quietly under trees preparing for her class she says 'she experienced the great releasing inward wonder. It was as if the "empty shell" burst. All the weight and agony, all the feeling of unreality dropped away. She perceived living goodness, joy, light like a clear, irradiating, uplifting, enfolding, unequivocal reality from deep inside.'[QF&P 26.05] Whatever happened to her after that she never lost the certainty of the reality of God that came to her that day.

She enrolled in the University of Uppsala in 1906, first taking a liberal arts degree and then studying theology. She also began to publish books and to write poetry. Her reading and also her life experience led her to grapple with the 'woman question'. In 1909 she became the first woman in Sweden to be awarded a degree in theology. This distinction led to a great deal of misunderstanding and hostility as it was apparently difficult for many to see why anyone would take such a degree unless they intended to enter the ministry and this path was still closed to women at the time.

Emilia next travelled to England, France and Italy in order to study religious movements and in 1910 she attended her first Quaker meeting. In 1911 she returned to Sweden and took up a teaching post. She was uncomfortably aware of the difference in salary between men and women staff and tried to make a stand on the issue but with no success.

Emilia (centre) at The Hague in 1915

During the First World War, although Sweden remained neutral, Emilia became involved in the international effort that women were making for peace. She attended the Women's Peace Conference in The Hague in 1915 from which emerged the Womens International League for Peace and Freedom and through this work again came into contact with Quakers.

Emilia continued to support herself by teaching and writing but in 1920 she became ill with eye trouble which forced her to stop her research work. Her mother was ill and Emilia went home to care for her, only to find that her sister was dying of cancer. These sorrows all brought Emilia to a low ebb but then  she met Arnold Norlind, a distinguished scholar and geographer with whom she had been carrying on a friendly and literary correspondence for several years.

Emila and Arnold

They agreed that what they felt now had slowly become more than friendship and they were married in 1922, when Emilia was 44 and Arnold 39. Their years together were happy but full of anxiety about Arnold's health. He had been diagnosed as having tuberculosis of the throat and there were several crises. In 1920 they were encouraged to hope that he was cured but in fact his disease had entered its final phase and Arnold died early in 1929.

They had lived a life full of books and writing and after the first devastating shock of grief Emilia's way forward came through writing Arnold's story. She continued to teach and write and was also becoming more involved in Quakerism. She joined a group in Stockholm which met for silent worship and in 1931 she applied for membership as a foreign member of London Yearly Meeting and was accepted. In the same year she published a book about James Nayler that led to her being invited to take up a fellowship at Woodbrooke in Birmingham. She spent a year there in 1933 researching a book on William Penn and in 1939 she visited America and spent some months at Pendle Hill.

Travelling to America was one way in which Emilia tried to get over one of the greatest disappointments of her later years. In 1938 she was encouraged to apply for the post of professor of history and religion at Uppsala university. Not only was she passed over in favour of a man younger and less qualified than herself but because her main expertise was in the psychology of religion rather than history the authorities felt it necessary to publicly declare her incompetent to hold the post. This led to a loss of income as her lecturing work dried up.

The outbreak of the Second World War however meant that Emilia put her personal worries aside and engaged in practical work for peace. She helped to set up the IAL (International work camps) and as soon as the war ended was involved in relief work in Germany. Working in Hamburg she wrote in her diary, ' Now I feel I've got work. All daylight hours are filled and [I feel] an almost constant inner joy, right through the thickening darkness out there...I walk in a whirlwind of life, and I reach out for more'.

Emilia aged 90

As she grew older Emilia became a well-known public figure in Sweden. Her writings were very popular and she was still called upon to pass on her wisdom. She longed to retire quietly but her public was reluctant to let her go. When she was past ninety she was troubled with increasing deafness and longed to die. 'Hope to be out of school soon' was one of her frequent expressions. At the last a severe fall and broken hip meant that she had to go into hospital where she suffered on untill she died in 1972 at the age of 94. Even in her last uncomfortable weeks, a friend said, she 'influenced people to the very end just by existing, without words'.

Emilia Fogelklou Norlind is buried beside her husband in a quiet village churchyard. On her headstone are three words in Swedish meaning - There is light still.

For many years most of Emilia's writings were only available in Swedish but extracts are now available in translation and there is also a biography of her, translated into English by the Swedish author.

Quaker Alphabet Blog 2014 - S for Joseph Edward Southall

Joseph Southall self-portrait 1925

Joseph Southall was born in Nottingham on 23 August 1861, the only child of Joseph Sturge Southall and Eliza Maria Baker. His father was a chemist and grocer but he died when Joseph was just one year old and his mother brought Joseph back to her Birmingham family home. Joseph was educated in Quaker schools at Ackworth, Birmingham and Scarborough. He showed artistic talent from a young age and from the age of thirteen was taught watercolour painting by Edwin Moore who is said to have remarked, 'Ah, here is a boy with an eye.'

In 1878 Joseph left school and was articled to a firm of Birmingham architects, Martin and Chamberlain. He continued to take drawing and painting classes and when he came of age in 1882 he abandoned his formal training in order to practice carving and painting to fit himself to be what he regarded as a true architect. He kept himself through inheritances from his father and an uncle and went to live in a house in Edgbaston belonging to another uncle where he remained for the rest of his life.

The artist's mother 1902

In 1883 Joseph spent eight weeks in Italy with his mother and a cousin, a turning point in his artistic life. He became an ardent admirer of the Italian primitive style and resolved to study and practice the art of painting in tempera. In 1884 Joseph's architectural drawings were shown by his uncle, George Baker, to Ruskin, who admired them and commissioned Joseph to design a museum for his Guild of St George. However in 1886 this project fell through and Joseph felt that his chance to become the architect he wanted to be had vanished.

Anna Elizabeth Baker 1897

Joseph continued to draw, paint and struggle with the tempera technique. He studied at Birmingham School of Art and exhibited with the Royal Birmingham Society of Artists (RBSA). In 1893 he was greatly cheered when his work was praised by another artist from Birmingham, Edward Burne-Jones. Joseph's work became gradually better known and he was able to sell enough to support himself. With other like-minded artists he formed the Birmingham Group of Artist-Craftsmen and in 1901 was one of the founders, along with Holman Hunt and Walter Crane, of the national Society of Painters in Tempera.

The Blue Sea with frame by Anna

In 1903 Joseph married Anna Elizabeth Baker who was two years older than he was. The couple had been attached since their youth but, as they were first cousins, had deliberately delayed their marriage, making a conscious decision not to have children. Anna shared Joseph's artisitic interests and made elaborate frames for his pictures. Each year the couple would go to Italy or France and also to Southwold in Suffolk or Fowey in Cornwall, where they visited galleries, sketched and painted. Joseph's reputation grew in Britain and in 1910 he also held a very successful one-man show in Paris.

From Fables and Illustrations 1918

Joseph and Anna both remained Quakers and supported their local meeting in Edgbaston. Joseph was often critical and did not suffer fools gladly. His demeanour has been described as 'frosty but kindly'. During the First World War Joseph was active as a pacifist both in Quaker circles and with the Independent Labour Party. He painted much less and turned instead to illustration and political cartoons pointing out the evils of war. He accepted a commission from the Birmingham Corporation to paint a mural 'Corporation Street March 1914' but he gave it a subtly anti-war message, showing the prosperity which the city had enjoyed before the conflict.

Corporation Street March 1914, now in Birmingham Art Gallery

Joseph and Anna in Southwold 1911

As he grew older Joseph received more public recognition and executed several more murals in buildings in Birmingham, but in 1937 he became very ill and underwent major surgery. He never fully recovered and although he continued to paint until his death he did not go abroad again. He died in November 1944 at the age of eighty-three.

The Botanists 1928

Joseph's work has been characterised as 'static' and his preoccupation
was with materials and technique. However he painted some fine portraits, many of Quakers, and Picasso was much taken by his painting of water. He was true to his vision and to his roots and his work can still be seen in the city he lived in all his life. The critic William Rothenstein wrote, 'I have a great respect for Southall, both as an artist and a sterling character, one of the few considerable artists who has remained in his native city.'

The Food Queue, now in Oldham Galllery