Showing posts with label William Charles Braithwaite. Show all posts
Showing posts with label William Charles Braithwaite. Show all posts

Thursday, January 29, 2015

Quaker Alphabet Blog 2015 - B for William Charles Braithwaite

W.C. Braithwaite
William Charles Braithwaite was born in Camden, London on 23 December 1862, eighth of the nine children of Joseph Bevan Braithwaite and Martha Gillett. He was a pretty child, 'very fair, with a captivating smile, his golden hair arranged in one long curl on the top of his head', and was doted on by his older sisters. He showed an early love of books and learned to read when he was three.

William was brought up in a close, contented Quaker family but had little contact with others of his own age. Both his parents travelled in the ministry and were often away from home, but their absences were accepted as normal. William grew particularly close to his father with whom he shared a love of study.

William was educated at home until he was eleven when he was sent away to Quaker schools, first in Weston-super-Mare and then in Scarboroough. Leaving school at seventeen, William went to University College London, graduating in 1881. He was active in sport but also in the Bunhill Adult School and the Friends Christian Fellowship Union.

J.B. Braithwate, William's father
William next turned his attention to the law, studying mostly at home or in his father's chambers. After qualifying in 1887 William lived at home and worked for ten years with his father in his conveyancing practice at Lincoln's Inn, a happy arrangement for them both. William explored London, studied, wrote poetry and did peace work with his uncle and neighbour, George Gillett.

His friend George Newman, who met him at this time, says he was 'a reserved, imperturbable man, of quiet but exceptional power...He never failed you. He was circumspect, seeing all sides and sympathizing with many...possessing a delightful sense of humour and a well-developed faculty of imagination.'

William's life changed in 1896 when he became engaged to Janet Morland and accepted the offer of a partnership in Gillett's Bank in Banbury, Oxfordshire. He had to give up the legal profession and move away from home, but banking gave him a more settled income and more leisure for study and for his work with the Society of Friends.

Banbury Quaker Meeting House in 1910s
He settled happily in Banbury with Janet and the couple had four children, three boys and a girl. There was a shift in attitude towards family life from one generation to another. William's father had encouraged his children to join him in his study, but had expected them to do so in absolute quiet. In contrast it was a source of wonder to William's friends how he could calmly collate an ancient manuscript or prepare an Adult School lesson while his small children played around the room, asking questions and demanding his help in their games.

As well as his other interests William became involved in public life in Banbury. He was a magistrate from 1906 until his death and chairman of the Education Committee for many years. He was also very involved with the local Quaker school, Sibford.

John Wilhelm Rowntree
William was much influenced by his friendship with John Wilhelm Rowntree who he had met at Yearly Meeting 1893. They shared a belief in the need for education for Friends and for strengthening the Society and developing its ministry. One of John Wilhelm's projects was the writing of a standard history of Quakerism and he had begun collecting thousands of books and pamphlets for the necessary research when he died suddenly and unexpectedly in 1905. William took up the project and worked on it in his leisure time for the next fourteen years. He sometimes became so absorbed in the work 'that he seemed to be living in the seventeenth century, far removed from the events that were passing around him.' The Beginnings of Quakerism and The Second Period of Quakerism were completed in 1919 and have not yet been surpassed.

At the beginning of 1922 several of William's long-term projects were nearing completion. The histories had been finished eighteen months earlier, the new Yearly Meeting Book of Discipline, which William was much concerned with compiling, had been agreed and Gilletts Bank had been amalgamated with Barclays after negotiations in which William had taken a major role.

In the last week of January William ministered at Banbury Meeting, took a leading part in a conference on Ministry in Oxford, began a series of Adult School evening talks and worked in the bank. On Friday he felt unwell but went to London by the early train to attend an educational meeting. He became much worse and only just managed to get to Paddington and onto the train home. He arrived in Banbury in a state of collapse, sank into a diabetic coma and died the next day, 28 January 1922, aged fifty nine.


Tuesday, August 20, 2013

Quaker Alphabet Blog Week 33 - Q for The Quaker Bishop, Joseph Bevan Braithwaite

Painting of J B Braithwaite
Joseph Bevan Braithwaite was born in Kendal, Westmoreland on 21st June 1818, the youngest, together with his twin sister Caroline, of the nine children of Isaac Braithwaite (1781-1861) and Anna Lloyd (1788-1859). Anna's sister Mary had married Isaac's brother George and her brother Charles and his wife settled in Ambleside.  Bevan therefore grew up in a close knit community of family and fellow Quakers, went to a Quaker school in Kendal and was apprenticed to a Kendal solicitor. His parents both travelled frequently and for long periods in the ministry but there were always sisters, cousins and aunts to take care of the children.

Isaac Braithwaite
Isaac and Anna were uncompromisingly evangelical in their theology, looking to the Bible for authority rather than the Inward Light, and when they visited America in the 1820s sided with Elisha Bates in vigorously and outspokenly opposing what they saw as the 'unsound' teaching of the more mystical Elias Hicks. Hicks considered the attitudes of the Braithwaites and other English visitors to be a major cause of the separations of 1827-8 which split American Quakerism for more than a century.

At home the Braithwaite family came under the influence of their cousin Isaac Crewdson, who took an extreme position, resigned from the Society of Friends and underwent a rite of baptism.  Most of  Bevan's brothers and sisters agreed with Crewdson and, when Bevan himself went to London to complete his legal training, they encouraged him to join them. He wavered and got as far as booking an appointment for a baptism but then, urged by a letter from his father, he attended the Yearly Meeting of 1840 and changed his mind. As he wrote to his cousin, George Gillett, 'I went to the Yearly Meeting expecting it to be the last I should ever attend; but as it proceeded, one sitting after another convinced me that I had not duly appreciated the views of the great body of Friends, that there was much that was excellent and much that was sound among them.' He believed it his duty to remain and could not see where else he would go, but the rift in his family and among his friends was intensely painful to him. In the end only Bevan and his brother Charles Lloyd Braithwaite remained Quakers. Having made up his mind Bevan in time became a pillar of the Society of Friends, firm and decided in his views and wary of innovation.

Martha Gillett with her father
Bevan was call to the bar in 1843. Because he had a stammer he did not practise in court but set up a conveyancing practice. From 1840 until his death Bevan belonged to Westminster Friends' meeting in which he soon started to speak (without an impediment) and who acknowledged his gift in the ministry in 1844. In 1851 he married Martha Gillett (1823-1895), the daughter of a Quaker banker of Banbury, Oxfordshire and a recognised minister herself. They made their home in Camden in North London and raised a family of nine children. In many ways Joseph Bevan Braithwaite repeated his parents' model of parenthood - a large sheltered Quaker family with both parents travelling in the ministry. Bevan travelled extensively in England, Ireland, Europe and the Near East in the service of the Society of Friends and as a representative of the British and Foreign Bible Society. In 1865, 1876 and 1878 he visited eight Yearly Meetings in America, although following his parents' example he always stayed aloof from the Hicksites.

J B Braithwaite with cravat
Bevan worked very hard as a lawyer in order to support his growing family, but he also read widely, particularly the Church Fathers whom he could, and did, quote at great length. He wore Quaker plain dress with the addition of a distinctive stiff wide white cravat which together with his natural air of authority led some, including John Bright, to call him the Quaker Bishop. No Yearly Meeting was complete without him and for forty years he was the chief author of the Yearly Meeting Epistle.

In 1887 Bevan attended the Richmond Conference in America and played a major role in composing the Richmond Declaration, a statement of Evangelical Quaker doctrine which the delegates hoped would be acceptable to 'all the Yearly Meetings in the world.' This was not to be the case and London Yearly Meeting refused to ratify it in 1888. Younger Friends saw it as the statement of a 'creed' which they felt had no place in Quakerism.

Bevan was disappointed and hurt by this rejection. Even though in 1898 London Yearly Meeting agreed to uphold their refusal to recognise Hicksite Quakers, a decision which Bevan called in his journal 'a very great relief to me', the tide was turning. Bevan viewed with dismay developments such as the Manchester Conference in 1895 which marked the beginning of Liberal Quakerism. He battled on but privately revealed, 'I often feel my solitariness.'

William Charles Braithwaite
After the death of his wife in 1895 he was looked after devotedly by his two youngest unmarried daughters, Rachel and Catherine. When his youngest son William Charles, who had worked with him for ten years, married and moved away in 1896 Bevan felt the loss keenly and gave up his legal practice. He said 'We are so bound up in our pursuits and in each other. It is almost like cutting off the right hand.'

Joseph Bevan Braithwaite continued to engage in Quaker work and to enjoy his extensive family. He wrote many letters and kept up the journal that he had written throughout his life. Old age crept upon him gradually but he retained his clarity of mind and gentleness of disposition to the last. He died on 15th November 1905 aged eighty seven, having remained unquestioning in his devotion to the vision of Quakerism he had loved and defended since his decision at Yearly Meeting 1840, sixty five years before.

Sunday, January 13, 2013

Quaker Alphabet Week 2 - A for Arts


The Presence in the Midst by J Doyle Penrose 1916
Quaker attitudes to the arts have changed considerably over the years. I have only space here for a short survey but will return to various aspects of the subject over the course of the rest of the Quaker Alphabet.
 
George Fox had a very definite 'puritan' view of the arts. To him these 'jests and toys' were nothing but a distraction from God and Truth and as such were to be entirely avoided by Friends. The only purpose of sports, games, poetry, plays and music as far as he and other early Quakers were concerned was to while away time that should be dedicated to a higher and more serious end. Another objection to the arts was that they were not true. Plays were particular offenders here as not only was the story being told not real but actors dressed up and pretended to be someone else!

Although poetry was allowed to sometimes have a serious purpose, composing it for any but a private audience was frowned upon. The works of Mary Southworth Mollineux (1651-1696) for example were only published after her death, although Fruits of Retirement: or Miscellaneous Poems, moral and divine did go into six editions in the course of the 18th century. Religious poetry was popular among Friends but was not often published, usually being privately circulated and copied into personal commonplace books and journals - which is how much of it survives.

Elizabeth Fry
Both listening to and making music, even privately, were also not approved. This was one of the arts, together with dancing, which Elizabeth Gurney Fry (1780-1845) found most difficult to let go of when she turned from the less strict Quakerism of her upbringing to the 'true' Quakerism of her adult life. In Feb 1799 she wrote "How much my natural heart does love to sing: but if I give way to the ecstasy singing sometimes produces in my mind, it carries me far beyond the centre; it increases all the wild passions, and works on enthusiasm. Many say and think it leads to religion, but true religion appears to me to be in a deeper recess of the heart, where no earthly passion can produce it." Her scruples did not entirely disappear however and in 1833 she writes, "My observation of human nature and the different things that affect it frequently leads me to regret that we as a Society so wholly give up delighting the ear by sound. Surely He who formed the ear and the heart would not have given these tastes and powers without some purpose for them."


John Pemberton 1727-95
Paintings were seen as superfluous decoration and portraits were particularly frowned on as leading to personal vanity. This is the reason why there are so few contemporary representations of Quakers in the 17th and early 18th centuries. Those that exist are often done by outsiders who were seldom sympathetic to their subjects. In the later 18th and 19th centuries however the practice of cutting silhouettes became popular and these met with more approval from Friends. Occasional sketches done without the subjects' knowledge have also survived to give us an idea of what particular Quakers looked like.

As time went on however a different attitude to the arts began gradually to spread among Friends. As with other changes in Quaker practice much evidence of this change comes from the attempts by official bodies to stop it! In 1846 for example London Yearly Meeting minuted "We believe [music] to be both in its acquisition and its practice, unfavorable to the health of the soul. . . . Serious is the waste of time of those who give themselves up to it." At about the same time the influential journal The Friend (Philadelphia) expounded "Sorrowful it is, that even some in conspicuous and influential stations, have actually "sat" for their portraits; and this, not for the hasty moment of the daguerreotypist (questionable as even this prevalent indulgence is), but patiently awaiting the slow business of the limner. Shallow indeed must be the religion of him who knows not that in himself, as a man, dwelleth no good thing."

On the other side some spoke up for the seriousness and spiritual value of the arts. In 1895 William Charles Braithwaite wrote "It needs to be recognized that our Society has not escaped the tendency to narrow down spiritual action to certain prescribed ways as a substitute for the reality of the spiritual life. For example, while Friends have been among the pioneers of modern science they have, until recent years, repressed all taste for the fine arts. These, at their greatest, always contain some revelation of the Spirit of God, which is in the fullest harmony with our spiritual faith. In the fields of music, art, and literature, as in others, Friends may witness to the glory of God and advance that glory by their service."

Penn's Treaty with the Indians by Benjamin West
By the beginning of the 20th century this view was beginning to be more accepted. An example of this is the popularity of the 1916 painting by James Doyle Penrose The Presence in the Midst which makes explicit the presence of Christ in a meeting for worship (see top). It joined representations of William Penn's treaty with the Indians and engravings of a portrait of Elizabeth Fry on the walls of many Meeting Houses in the UK and America.

In the 1970s and 1980s British Quakers set up a Quaker Fellowship of the Arts and The Leaveners continue to encourage Friends to engage in both music making and theatrical performance. There are now many Quaker artists, both amateur and professional, expressing their faith through what they make and what they do. 

Quaker Silence by John Perkin