Showing posts with label Anti-slavery. Show all posts
Showing posts with label Anti-slavery. Show all posts

Thursday, March 02, 2017

Quaker Alphabet Blog 2015-2017 - V for Verses

As I said in a much earlier post, Friends in the past have felt ambivalent about both reading and writing poetry. Some, like Mary Southworth Mollineux, did write in this form but only on serious subjects and they hesitated to publish their work widely or under their own name.

In the 18th century poetry was often copied by Friends into commonplace books for their own use. This might be written by Quakers but works such as James Thomson's The Seasons were also popular. As the century progressed a few Friends ventured into the public domain with their poetry. In 1794 Catherine Payton Phillips published The Happy King; a sacred poem which was addressed to George III. The main subject of the poem is to urge the monarch to do away with slavery and was part of mainstream Quaker campaigning at this time. In her Memoirs Catherine states that when she became a minister she stopped any reading other than the Bible, but perhaps towards the end of her life she allowed herself more latitude, as her poem is very much in the contemporary style.

In later times many Friends wrote poetry and even published it, although like W. C. Braithwaite's volume it was often referred to, self-deprecatingly, as Verses. There were Quaker poets, such as the Americans Walt Whitman and John Greenleaf Whittier but it was only in the 20th century that this became an acceptable description in the UK. Poets who are Quakers do not always identify as Quaker poets but a modern anthology has recently been published. A Speaking Silence; Quaker poets of today came out in 2013 and was advertised as the first of its kind for over a hundred years.

So what is the difference between poetry and verses? Is one more serious than the other? There is certainly a continuing tradition of both forms appearing in local newsletters and blogs and both are now equally acceptable. I would like to end this post with an extract from a verse published in 2007 by the Sheffield Quaker Simon Heywood which is part of another tradition - verse which pokes fun at the idiosyncrasies of Friends - usually in a loving spirit.


I'm a lonely little Quaker
and I'm feeling very small.
I'm the clerk of Monthly Meeting
and there's no-one here at all.
I've got all the minutes drafted
and I'm ready with my pen
but the sense of Monthly Meeting
is they've stayed at home again...

If it wasn't for the Quakers
in the Quaker burial ground
then I'd be the only Quaker
for a hundred miles around,
for the buses stop at seven
and there's something on TV
and this month it's nominations
and there's no-one here but me.
I could minute they're prevented
but they never said what by.
I'm a lonely little Quaker
and I think I want to cry.

Saturday, July 20, 2013

Quaker Alphabet Blog Week 29 - O for Amelia Opie

Octagon Unitarian Chapel, Norwich
Amelia Alderson was born in 1769 in Norwich, the only child of John Alderson, a successful doctor and Unitarian who attended the Octagon chapel in the city. When her mother died in 1784 Amelia was fifteen and took charge of her father's household. She entered enthusiastically into local society among other dissenter families such as the Martineaus and the Gurneys and was very popular. The good-looking and high-spirited girl sang ballads of her own composition, gave dramatic recitations and published poems.

Silhouette of Amelia in 1790s
Amelia's political interests were stimulated by the French Revolution and her father's interest in the Norwich reform movement. In September 1794 Amelia contributed fifteen poems to The Cabinet, a periodical begun by that movement. Also in 1794 Amelia visited London where she discovered the excitement of attending the law courts, the spectacle and drama of which remained a compelling interest throughout her life. She widened her acquaintance in theatrical and radical circles, meeting the Kembles, Mrs Siddons and Mary Wollstonecraft, whom she particularly admired. She declared that everything she saw for the first time disappointed her except for Mary Wollstonecraft and the Cumberland lakes!


Mary Wollstonecraft by John Opie
It was in London too that she met the self-taught Cornish artist John Opie who was eight years older than herself. After a brief courtship she became his second wife in 1798. To support their household John gave up his prestigious historical and mythological painting for the more lucrative portraiture. He was more conventional that Amelia and, coming from a working-class background, was not always comfortable with her love of society but he encouraged her to write. Her novel Father and Daughter, about misled virtue and family reconciliation, which appeared in 1801, was a great success and Sir Walter Scott himself was moved to tears by it. Encouraged by Mary Wollstonecraft, Amelia followed this in 1804 with Adeline Mowbray, an exploration of the relationship between a mother and daughter.

Amelia Opie painted by her husband
Unfortunately Amelia's life in London came to a tragic end when her husband died in 1807 aged forty six of a fever probably made worse by overwork. Having no children she returned to live in her father's house and participate in Norwich society. She continued with her writing but also renewed her early friendship with the wealthy Quaker Gurney family, especially with Joseph John Gurney, the leading evangelical Friend. Although nearly twenty years younger than Amelia, he was a great influence on her.

She began attending Quaker meetings in 1814 and gradually became convinced that here, rather than in the Unitarianism of her upbringing, was the vital religion that she sought. In 1820 her father fell ill and she nursed him until his death five years later. Throughout this time the Gurneys were a great support to them and Dr Alderson fully approved Amelia's application for membership which was accepted two months before his death, so much so that he was himself buried in the Quaker burial ground at Gildencroft.

There were certain changes that Amelia undertook when she became a Quaker at the age of fifty six. The chief of these was that she gave up novel writing and afterwards wrote only upon serious, factual and moral subjects. She also adopted the Quaker plain speech and plain dress, but with a style of her own. Emma Marshall remembers that her Quaker bonnet was small and perched somewhat coquettishly on her head, and the train of her silk gown made a 'swish' upon the matting as she came into meeting.

Amelia Opie in Quaker dress
Amelia now spent much of her time in works of charity. Influenced by her friend Joseph John Gurney's sister, Elizabeth Gurney Fry, she visited prisons, hospitals and workhouses. She also gave unobtrusive material assistance to her friends and especially to fellow writers such as Mary Russell Mitford. She was much concerned with the Bible Society and the Anti-slavery Society and in 1840 attended the Anti-slavery Convention in London.

Amelia was financially comfortable and able to travel widely, always delighting in the company of others from whatever level of society they came. She was an inveterate correspondent, often writing more than six letters a day. Every year she came to London to attend the Yearly Meeting. As she said in 1843, 'Yearly Meeting has engrossed me much as usual, for I never missed one sitting since I obtained the great privilege of belonging to it '. This record remained unbroken for nearly thirty years until ill-health prevented her attendance.

Amelia Opie's house on Castle Meadow, Norwich
Until almost the end of her life she retained her love of fun, her merry laugh and ready repartee. At the age of eighty-two, confined by rheumatism to a wheelchair, she visited the Great Exhibition and meeting there her friend Miss Berry, similarly transported, playfully proposed that they should have chair race. The last years of Amelia's life were spent in a house on Castle Meadow in Norwich on the corner of a small alley now known as Opie Street. She died at the age of 84 in December 1853 and was buried next to her father in Gildencroft.

Amelia Opie's life was full of contrasts and she sometimes appeared a rather worldly Friend, but coming to Quakerism at a later age she valued the Society highly and tried her best to live up to its standards. Perhaps her friend the poet Robert Southey put it best when he said that she embraced Quakerism 'not losing in the change her warmth of heart and cheerfulness of spirit, nor gaining by it any increase of sincerity and frankness, for with these nature had endued her and society, even of the great, had not corrupted them.'